It is heartwarming to witness someone from another culture would undertake and pay a brilliant tribute to the Sikh devotion chant and do an amazing rendition in her rich and reverberating voice respecting the styles and rhythms of established tradition, and with Indian instrumental music and several Sikh hallowed places as the backdrop.
This is the story of a larger-than-life man, who was a risk taker and lived life passionately. He predominantly wore blue and black turbans, but the colors of his life’s turban (pardon for using the term instead of the commonly used term hat) were – scientist, innovator, entrepreneur, manufacturer, sculpture artist, farmer, philanthropist, and avid Sikh Art Collector. His life’s story is a true inspiration worthy of emulation.
There is a tug of war between those who want to maintain the status quo and those who want to bring in drastic changes in its structure, theology and institutions. What is a paradigm shift?... proposed to carry out surgical strikes to reform the functioning of Gurdwaras. I believe it will cause more harm than good and cause schisms in Sikhi. A representative body of Sikhi, “Global Sikh Network Organisation” for coordinating activities of Gurdwaras all over the globe, is the need of the hour. The beginning can be made by reinterpretation of GGS using modern techniques of hermeneutics.
All religions provide a ray of hope for their followers. Hope has been a blessing in disguise. It is an inbuilt characteristic of human nature. Humanity evolved to the present stage based on hope despite the dictum: “survival of the fittest”. Hope is linked to desire and expectation. If desires are not fulfilled, one becomes pessimist. The difference between hope and desire is palpable.
The contents of the opening Chapter of Book One: “Ponderings that Make up My Credo” can prove to be eye-catching and mesmerizing for any reader who dares to ponder over it. It has many quotes worth its weight of gold: “Nature is God’s manifest might”. “Five senses (visual, audial, olfactory, gustatory, and tactile), which provide the necessary material to Mind, have been given to Man to enjoy Beauty”. “Man is a pain-avoiding, pleasure-seeking, myth-making animal who wanders life after life in the illimitable Desert of Existence”. “Beauty supplies the raw material for aesthetic experience without which the contemplation on the nature of Reality cannot come about”. “The four faculties of Reason, Emotion, Imagination, and Intuition are Man’s chief gifts bestowed on him by God”.
Towards the end of this volume, there are six analytical essays contributed by Harinder Singh, Inni Kaur, Ishmeet Kaur. Jasleen Kaur, and Surender Pal Singh in critical appreciation of the Guru’s life and legacy. Harinder Singh has critically examined the historical sources to establish Guru Tegbahadar as Sultan-ul Duniya Wal-Akhirat (The Sovereign of the World and Hereafter). Inni Kaur tries to render three Rag Devgandhari Sabads by using transcreation to bring out the hidden meanings to establish the Guru’s way to freedom. Ishmeet Kaur delineates the Guru’s ideology...
The place was abandoned after the partition of Punjab in 1947 hence half a century later, the author was unable to apprise on the exact location of this Gurdwara. To make the matter bit complicated, no reference was mentioned, and it was not straightforward to find out from the bibliography, given at the end of the book, which manuscript or book would have these details?
To my surprise and delight, we then see 20 more profiles of contemporary Sikh women, some young and some old, told with loving anecdotes of their lives. This is a wonderful book - inspiring, real, and long overdue! All of our sons and daughters should read this book and appreciate the contribution of their sisters and mothers with love. It is my prayer that we see many, many more books about this important topic.
When Guru Nanak Dev Ji goes into praise mode, he finds that even the words he chooses for praise to be profoundly inadequate. He feels that instead of praising, he has slighted, diminished the Praiseworthy God by his words.
The study of the structure of Guru Nanak’s hymns can be studied linguistically keeping in mind the context i.e., spirituality. His maximum writing is in Panjabi with only a few hymns in Lehndi, Persian, Sahskriti, Sadh Bhakha etc. At that time, the Punjabi language was not exactly the same as of today...